In Caxias do Sul mega‐factories with 4,000 workers in one site have changed and re‐structured the image
of work, the worker and lately, that imagined threshold in which a worker leaves the factory, and
becomes an individual subject in public space among other workers. Commissioned by the Bienal do
Mercosul in Porto Alegre to develop project in a Caxias, I collaborated with musicians and organized two
public events in which musicians with experimental affinities improvised a live soundtrack to images of
workers leaving the factory. Though the film is 8 minutes, the musicians improvised for hours, the sounds
evolved, challenging and transforming a fixed and image of work and its historical and political meanings.
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