a series of experiments with new methods for controlling and performing computerised sound using whole-body gesture.
Our overall approach was multifaceted. Considerations included: physicality in the space, sonic and compositional form, structure and aesthetics, conceptual semantics, sensor technologies and applications. These concerns were used as the basis for devising experiments, some of which were undertaken without interactive technology. For example in the early phases of the residency we experimented with movement-only composition, and later, some of the sound mappings were prototyped by improvising movement to pre-recorded sound.