The electronic image, doubled, crossed, combined, and looped upon itself, exposes the circuitry matrix, and becomes its own surface texture, color, and motion; pulsing to its own overlapping signals. It becomes a mediated self-destruction and/or a new art medium. Most intriguing are the elements obscured, bent, broken, washed, twisted, bled, and immersed in a vibrant, brute energy. The collaborators developed processes to build such forms seen here.
The AUX series have garnered 10 festival appearances to date.