For a man whose films cover everything from masked vigilantes, to dream heists, to interdimensional travel, Christopher Nolan is a rather personal and intimate filmmaker. This is expressed in the way that he tends to position his camera. Nolan prefers to keep his camera close to his characters, often hugging their bodies in warm medium shots or close ups. So when Nolan chooses to back off and take a step back from his characters, we are going to feel it. Nolan’s wide shots are obviously beautiful, but what they convey extends far beyond a stunning visual. They convey magnitude and significance, isolation and disorientation. Here is a quick look at some of Nolan’s masterful long shots.
The Dark Knight
The Dark Knight Rises
“The Tide” by Hans Zimmer
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