The work I propose is based on the analysis of contemporary electronic music, about it’s ability of imprinting and of the popular divulgation of concerts - or performance - of various sound artists in the international contemporary scene as events like plays or concerts. The work analyzes the level of abstraction on which works performances, both in terms of the context in which they are proposed, and in terms of listening skills. By following these lines the question become the cultural identification through a musical language and the communication between fiction and reality.
Subject: The work is an organization and production of a disposition of hearing. By focusing on an item, the sound, or even something more complex and elaborate. In this case I propose an analysis of the sonic possibilities of experimental tools such as flexible cables but is also an analysis of the possibilities of emitted air and its modulation as well as to its organization into a group of elements (six artists).
The proposed work aims to develop a critical listening about the similarities between sounds that can be organic, primitive and developed cyclically in calls and cries stimulating both the imaginative possibilities or also psychological (regards the relationship on the modulation frequency, amplitude, and tone). The ability to tell is related with the attempts of speech; it happens through an introduction of vowels or consonants and at the same time with movements of the body of performers.