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Sound Textures for Intimacies of Space

Monica Rezman and Beth Bradfish come together in this unique exhibition experience where sound art meets visual art to create work in response to each other’s artistic vision. Rezman has worked in abstraction for a number of years, producing sculptural works that originate from her classical drawing background - using everyday materials such as discarded cardboard, pieces of past drawings, and reclaimed coffee sacks. Bradfish, as a sound composer, creates sound environments for a tactile experience. In this exhibition Bradfish responds to Rezman’s work and the site with sound that offers yet another experience of the work and perhaps directs he viewer around and through Rezman’s installed pieces. Sound Textures for Intimacies of Space is a play on the inter-media relationship between sound and vision, questioning what if visual art could make sound?.

Front room

Windows

- two transducers

- sewing machine harmonica – sine wave

room

- 4 speakers

- textures and harmonica

back room

under yellow paper

- transducers – white noise + texture+ sinewave