Hood continues the artist's exploration of repetition as a formal means of altering perception.
Restricting his materials to a single, spare piece of 25 frames of video footage and its accompanying soundtrack,
he develops a theatrical space without origin or narrative, in which gesture is nevertheless imbued with drama
and anxiety. Romanticly speaking: The signature of death.
Olivia de Havilland impersonating Maid Mariam worried about the fate of her lover; in Technicolor.
Back in 1938.....