Here is the same Sony F65 footage from Berlin, but this time the guys at CinePostproduction were playing with the exposure, one of the beautiful things about working with RAW footage.
Here you'll see the a split screen of 160 EI on the left and 3200 EI on the right. No color correction has been applied to the footage. Burn-ins and rendering were performed using Colorfront's On-Set Dailies software.
All footage was shot by Band Pro using the Sony F65 camera and Leica Summilux-C lenses. All scenes were using only available light.
All shooting and post production for both the Night and Day material took place in less than 24 hours in Berlin, Germany.
To see this full workflow in action visit us at NAB in April, Booth C10308.
Many thanks to CinePostproduction for their generous assistance.