In 1990, for a group exhibition in a gallery in Soho, New York, I appropriated a documentary image from a 1973 conceptual work by artist Michael Asher, and made it the centerpoint of an artwork that looked at the dynamics of the group exhibition genre. My work was sold during the exhibition. Twenty-seven years later, I was asked to make a contribution to an exhibition on the work of artist Christopher DArcangelo and its relationship to the work of Asher, for which I made a powerpoint tracing the trajectory of my 1990 work and its surprising arc involving a double sale, an over-leveraging, and a discarded artwork. In 2019 the 2017 powerpoint was expanded into a 16-minute video loop.
