Truelight CAM (T-CAM)

Learn about FilmLight's T-Log / T-CAM colour pipeline, and why it is so popular among colourists. To what extent is it different to other pipelines like ACES, ALF-2 or IPP2? What are camouflage looks? How do I deliver proper plates for VFX? Colour workflow specialist Andy Minuth answers all of these questions and explains how to avoid common pitfalls.

Topics:

- Truelight CAM overview

- Why another colour pipeline?

- Scene templates

- Working with the inverse DRT

- Applying scene looks

- Viewing condition compensation

- Managing blacks

- VFX round-trip