eddie d uses unrelated video segments based on incidental everyday perceptions: the rattling lid of a pan, or a foot stamping, a talking head on the television.
With these fragments he creates compositions. He turns them into a rhythmical sequence, making use of the compositional principles of music, poetry or choreography. And just as with these disciplines, the meaning is generated by the experience of the whole. Repetitions, duplications, framing, shifts and crescendos generally suggest means by which the influx of trivia can be reforged into a significant experience.
(Jaap Vinken/Martine van Kampen)