Leonardo inspires dance. As a result, in 1.618... DAVINCI, spaces are traversed by mathematical designs in terms of the shape and qualities of the body in movement and its location within the spatial composition. Stage and counter-stage games, from opposites to counterpoint. The dance elicits the viewers’ active engagement and requires extreme precision from the dancers. It has a very strong physicality and an elevated design of form and content, accompanied by music created according to the same principles, an enveloping, suggestive music which is contrasting and daring.
Risk. Mathematical rigor. Artifice. Urgency. Body limit. Vertigo... These are the axioms in 1,618... DAVINCI.