Coreografia estudo#1 (extract)

The etymology of the word choreography is "writing for a choir", or, “written to move together”.

Choreography has served to organize the state and its war machine. According to André Lepecki* dance has always existed, but its codification in the form of choreography was captured by the state. The first functions of choreography were to organise heteronormativity and reproduction, i.e. one danced to learn good manners, to perform at court, to find a wife or a husband.

"Choreography study#1" is a study about structure, control and the architectural capacities of choreography. In this study, geometric drawings based on numerical patterns define the trajectories of four dancers. There is a minimum amount of elements in the score, which are repeated and recombined. It is through interruptions of the unison and through desyncronisation that different paths and new relationships emerge between the dancers. This short choreography is mechanical and labyrinthine. It is a calculation that becomes vertigo. An optical puzzle.

The creation of this score was inspired by one of Trisha Brown's "Early Works" (1960s).

Curitiba/Brazil

2016

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Choreography and Scores: Michelle Moura

Co-choreography and performance: Bernardo Stumpf, Bia Figueiredo, Cândida Monte, Thaisa Marques

Music: Kaj Duncan David

Clothes: Caroline Ricca Lee

Collaboration in creation: Bárbara Wagner, Javier Calderón, Mario Lopes, Paulina Vielma, Sol Dugatkin

Acknowledgements: Mario Lopes, Javiera Peón-Veiga, Casa Hoffmann/Curitiba, Cristina Herrera/Cultural Gate, Daniel Kairoz/Terreyro Coreográfico, Grupo Vão.

Support/residence: PLUSbrasil Platform at Villa Walberta, Feldafing/Germany. NAVE, Santiago/Chile

This project was awarded the Funarte Dance Prize Klauss Vianna 2014

Duration: 45 minutes