Busy, busy, busy. This spring I worked on four films. The first to make it out of post-production and onto the screen was The Exquisite Pain. Another Scary Cow project. I've been trying to work on as many different types of stories as I can. One way was to work with first time director Aida Daay. We had a great team and a wonderful production to work on. All of my lighting was "motivated", which is to say I started with a real source (a window, a table lamp) and added to it with extra lighting units. We were going for a natural, believable lighting style. A Scary Cow award winner.

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