Seth Lambert contextualizes his work in the show "Nothing on the Bed of an Epson Expression 10000XL" within his Failures series of grids mapping out anything from beard hair, mirror pieces to nothing with a blank scan. The latter on view in the show still presents small residues called “artifacts” that Lambert has mapped out individually into a perfect grid that always fails. He also highlights the importance of the physical object in photography even if his work is often all digital and computer generated.
This clip is part of the series of video interviews including the curator, Lyle Rexer, and artists from the exhibition on view at Aperture Gallery, "The Edge of Vision: Abstraction in Contemporary Photography" from May 15 to July 16, 2009.
From the beginning, abstraction has been intrinsic to photography, and its persistent popularity reveals much about the medium. The Edge of Vision, curated by Lyle Rexer, showcases the work of nineteen international contemporary photographers who base their practice in some form of abstraction from highly conceptual to more documentary approaches. The works explore diverse aspects of the photographic experience, including the chemistry of traditional photography, the direct capture of light without a camera, temporal extensions, digital sampling of found images, radical cropping, and various deliberate destabilizations of photographic reference. This abstract use of photography often combines other mediums such as painting, sculpture, drawing or video. All artists join a broad contemporary trend to look critically and freshly at a medium commonly considered transparent.
The exhibition is accompanied by a new book, "The Edge of Vision: The Rise of Abstraction in Photography" by Lyle Rexer (Aperture, May 2009). Illustrated with more than 150 images, this unprecedented and highly anticipated book documents this phenomenon internationally from the early days of the medium through the present day.