Interview and video presentation by Molly Sheridan
Read the complete text at: newmusicbox.org/?p=18203
In conversation, Evan Chambers conveys his ideas using words in a strikingly similar fashion to how he delivers them in music: honestly, intelligently, with neither fear of open emotion nor of making a sharper point than his laid-back demeanor might at first lead you to expect. As he speaks about his familial roots in folk music, his love of poetry, and the responsibility he feels as an artist to acknowledge broader social, political, and environmental challenges, a portrait of the composer emerges that reveals again how incompletely shorthand genre descriptors and professional biographies capture art and artist.
And so it was that we moved from the tag of "folk-inspired" composer to discussions of the brutal side of traditional music and the power it holds over audiences both native and foreign. A commission from the West Point Band became more complex once it was revealed that music that digs around in the messy pits of conflict and loss and death inspired both the request and the resulting piece. Chambers is a composer well versed in electronic music, yet a strong advocate for making a deeply human connection. He is a musician firmly rooted in his Midwestern community, but just as genuinely entrenched to society's broader concerns. Through it all, he is listening and incorporating his experiences into his life and work.