Shot on the HD2 with ProTune.

The workflow for ProTune is really nasty . GoPro's Cineform application is basic, but can't I think be avoided for the raw conversion. I converted the stuff in Cineform to get a reasonable look, then passed it all through After Effects to do some noise reduction and sharpening (there's none by default with ProTune). It's a lot of hassle for a marginal improvement, I'd say.

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