“The Long Way Home,” a new performance film by Christopher-Rasheem Mcmillan and Eryka Dellenbach, poses a way of contending with the Black body as a composite body, one that is connected to, affirms, and disrupts the archive and Historiography. Through this solo dance performance, McMillan tracks the Merce Cunningham technique through diaspora, emphasizing that the diaspora is never the homeland: it’s never home, it’s always somehow both exile in migration and in travel; different from, yet somehow always in dialogue with, its genesis.
Christopher-Rasheem McMillan, is a performance-related artist and scholar. He has a joint appointment between Dance and Gender, Women’s & Sexuality Studies at the University of Iowa. McMillan received his BA from Hampshire College, his MFA in Experimental Choreography from the Laban Conservatoire, London, and his PhD in Theology and Religious Studies from King’s College, London (2017).
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