The film aims to shed insights onto the workings of a large-scale international art exhibition. Comprised of visible forms of complex social processes, the film attempts to expose the mechanisms of how an exhibition is conceptualized and realized. The main protagonist is a process, the articulation of an idea from linguistic to visual form in a collaborative trans-cultural context. This process is revealed through the transformation trajectory of ideas as manifested in collaborations, decision- making, and interpersonal relationships. It is presented through the prism of the artistic office team, curators and curatorial assistants, in a construct of multi-layered fragments evolving parallel to the Biennale.