Top part is grading.
Unsharp mask, Fast Color Corrector, RGB Curves, and Three-Way Color Corrector on both clips. Differing values to each clip.
24 fps, shutter at 50, incandescent lighting, ISO 1000, 2.8f on the Zeiss 16-35 wide-angle, handheld and Warp Stabilized. In-camera mic.
The -3, -3, -3 shot was ridiculously flat. I upped colour saturation to 180 in Fast Color Corrector, and cranked the contrast. Magically, the Unsharp Mask was jacked to 200.
The neatest thing about the Sony a99 colour space to me is that I can really crank the brightness if I need to, without degrading image quality. It's a pretty swell camera in my opinion, guys.