We had to move the time lapse camera after we setup the china ball style softbox lantern, so here's part two. One of the things you'll notice in this clip is that we gradually break down and replace each of the three modifiers we're using on the lights. I realized that the large softbox in the back right, serving as our key light, wasn't doing what I wanted it to (it was spilling too much on the back wall and I didn't have a grid for it) and as a result of changing that out had to adjust what all of our other lights were doing in relationship to it in this new arrangement. So there's the "best laid plans" in action for you.

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