“ 13.dream: the father calls out anxiously,"that is the seventh" during the walk over many ladders some vent has evidently taken place which is spoken of as "the seventh". in the language of initiation , "seven" stands for the highest state of illumination and there for be the coveted goal for all desire....." (c.g.jung dreams )
this is the third time i introduce the term of the interface score in a work , a score in this case that sets the conditions for a second graphic one to be sonically decoded and played-improvised.it sets the conditions as a hint to the complicated translation processes of a line concatenate meta-notations . line plays for a very very long time a very important role in my work, line can be really powerful when in use due to the energies that can be hidden inside its form qualities , its use in a notational system can determine not only a transition towards a non iconic abstract reality (spiritual) of the conventional music signs but also a different time relation of the being.
the place of the piece is the place of the irrational , the dream. archetypes and actors , consciousness and unconsciousness , actors and musicians ,composer and performer , masks and projections ,waking and dreaming ..... potentlal or not events dynamic dipolar relationships in the collective continuum until the karmic appearance of the archetypal number .
klara andrlova - percussion
maria aristotelous - electronics , tape ,visual projection , composition
wen chin fu - cello / body cello
ji youn kang - electronics
fani konstantinidou - electronics
michalis paraskakis - narrator
many thanks to the performers for their valuable feedback
and help during the translations of the scores.
©maria aristotelous all rights reserved 2012-2013