This piece was composed to open an original soundtrack created in the Spring 2013 semester at California Institute of the Arts. It features modified field recordings of practice room pianos, original Kontakt patches, and convolution and cross synthesis of speech synthesis.
I kinda missed adding flags to every last edit and action in a visual scene. It had been a while.
This piece is quite sub-bass drone-heavy, and will therefore translate poorly on systems that cannot produce those frequencies. Listen with actual speakers!