Rich and warm visuals and audio in this fifteen-minute piece. While SO#34 demonstrated how the SOE attacks the temporal "now", I believe #35 shows why. The "now" is atomized and dissipated throughout the piece, as if in the air.
The Simultaneous Opposites Engine (SOE) is set to automatically move ahead through the video file--previous to #34 it stayed with one center unless I actively shifted.
I play MIDI guitar which modulates the sound and image as the SOE constructs it. Image movement and audio also modulated live using the Behringer FCB1010 MIDI foot controller, sending triggers and values to the MAX/MSP/Jitter patch I've written.
Robin Edgar on mrudangam.
PLEASE PLAY FULL SCREEN, TURN VIMEO SCALING OFF.
As with all other SOE uploads, the original visual is much crisper, more highly temporally and spatially defined, and faster than the upload.