"An Adaptation" is a revision of a prior performance which was written pre-pandemic. The piece was intended for a live audience, and this is an attempt to adapt it for a digital one. What remains when the traditional stage and auditorium disappear? Do the roles of the performer and audience disappear as well? "An Adaptation" makes the labours and implicit exertions that sustain the performer-viewer relationship visible, and questions their dependency and even existence behind a screen.
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