An audio-visual installation and performance by Andrea Božić and Julia Willms (2011)
For The Avant-Garde Never Gives Up, Andrea Božić and Julia Willms invited two painters, Yvonne Grootenboer and Emile Miedema, to re-produce a painting they had never seen. They painted it by listening to art historian Jan van Adrichem describe it in words. It took 7 hours to make this painting. Božić and Willms translated this intense live performance into an installation that re-creates this process.
The original painting was made by Asger Jorn, one of the founders of Situationism: L'Avant-garde se rend pas, made in 1962, is one of his Modifications (détournements) in which he took a painting found at the flea market by an anonymous painter and painted it over. Ultimately, L’Avant-garde se rend pas is a painting made by two authors.
The Avant-Garde Never Gives Up is a derivation of the performance After Trio A which Andrea Božić made in 2010, based on Yvonne Rainer’s minimal dance Trio A (1966) and No Manifesto (1965). In After Trio A, two dancers are asked to learn the original Trio A dance phrase live in front of the audience during the performance, copying from the monitor on stage.
Duration: 2 hrs 10 min
Concept, filming, editing and installation Andrea Božić and Julia Willms Painters Yvonne Grootenboer and Emile Miedema Speaker Jan van Adrichem Advice on the original painting Sven Lütticken photo Andrea Božić
The installation was originally made within the framework of the exhibition Genius Without Talent at de Appel arts centre, Amsterdam and was later modified into a live performance Portraits within the context of the 1917 exhibition at the Centre Pompidou Metz.