Here's a virtual movie the Dublin born poet Oliver St John Gogarty reading his exquisite rather Victorian style poem "Boys".
Oliver Joseph St John Gogarty (17 August 1878 -- 22 September 1957) was an Irish poet, author, otolaryngologist (a surgeon specializing in the neck ) , athlete, politician, and well-known conversationalist, who served as the inspiration for Buck Mulligan in James Joyce's novel Ulysses.
A highly visible and distinctive Dublin character during his lifetime, Gogarty appears in a number of memoirs penned by his contemporaries,
Gogarty maintained close friendships with W. B. Yeats, AE, George Moore, Lord Dunsany, James Stephens, Seamus O'Sullivan, and other Dublin literati, and continued to write poetry in the midst of his political and professional duties. Three small books of poetry (Hyperthuleana, Secret Springs of Dublin Song, and The Ship and Other Poems) were published between 1916 and 1918. Gogarty also tried his hand at playwriting, producing a slum drama (Blight) in 1917 under the pseudonym "Alpha and Omega", and two comedies (A Serious Thing and The Enchanted Trousers) in 1919 under the pseudonym "Gideon Ouseley", all three of which were performed at the Abbey Theatre.
Gogarty devoted less energy to his medical practice and more to his writing during the twenties and thirties. His 1924 book of poetry An Offering of Swans won the Gold Medal for poetry at the revived Tailteann Games, for which he also wrote the 1924 Olympic bronze medal-winning Tailteann Ode (which he was later to describe as "rather tripe"). In 1929 another book of verse, Wild Apples, was published, and was followed in 1933 by Selected Poems. Gogarty was also a member of Yeats's Irish Academy of Letters and frequently assisted in arranging its social functions. 1936 saw the publication of Yeats's Oxford Book of Modern Verse, which contained seventeen of Gogarty's poems and an introduction proclaiming him "one of the great lyric poets of our age."  The over-representation given to Gogarty outraged many poets and perplexed Gogarty himself, who remarked, "What right have I to figure so bulkily? None from a poetical point of view... Sappho herself could not have made a more subjective anthology."
In 1935 Gogarty published his first prose work, As I Was Going Down Sackville Street (subtitled "A Phantasy in Fact"), a semi-fictional novel-memoir that tells, in reverse chronological order, the story of Gogarty's Dublin through a series of interconnected anecdotes and lively characters sketches. Shortly after its publication, it became the subject of a lawsuit by a Jewish art dealer, Harry Sinclair, who claimed that he and his recently deceased twin brother, William Sinclair, had been libeled by the publication. The two men did not appear as named characters in the book, but some derogatory lines of verse beginning "Two Jews grew in Sackville Street", written by Gogarty's friend George Redding and included in a scene in the novel, were widely known to refer to the Sinclair siblings. Harry Sinclair further recognized a reference to his grandfather, described in the text as one who "enticed little girls into his office", an offense of which his grandfather had in fact been convicted. Gogarty responded to the charges by claiming that the unnamed Jews were parodies or composite characters rather than deliberate evocations of living persons. The case attracted a great deal of public attention, with one commentator observing that "only The Pickwick Papers, rewritten by James Joyce, could really capture the mood of this trial." Among the witnesses for the prosecution was William Sinclair's nephew-by-marriage, Samuel Beckett, then a little-known writer, who was humiliatingly denounced as a "bawd and blasphemer" by Gogarty's counsel. Gogarty ultimately lost the lawsuit and was ordered to pay £900 in damages, plus court costs. This outcome deeply embittered Gogarty, who had already suffered financial setbacks after the stock market crash of 1929 and felt that the verdict had been politically motivated.
In spite of the Sackville Street imbroglio, Gogarty's output over the next two years was prolific. In 1938 he published I Follow St. Patrick, a historical and geographic portrait of Ireland as told through Gogarty's rambling visits to various sites traditionally associated with St. Patrick; in 1939 he published Tumbling in the Hay, a semi-autobiographical comic novel about medical students in turn-of-the-century Dublin, and Elbow Room, another collection of poetry. In 1938
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