Yesterday we began work on the first light color correction for footage that we shot for LG down in Rio, Brazil. With almost 8TB of footage shot from about everywhere we could think of including underwater and helicopter. Everything was shot ultra high def and all the files we will be delivering are either 4k or 8k.

Using REDCine 17, we corrected over 150 shots in about 12 man hours. We imported the shots we needed to get to our editor, colored and adjusted them. Once everything was colored we sent the timeline out using Export (shallow)> FCP XML to Pr which then sent the timeline to Adobe Pr CC with all the RMD data intact.

It was great to have all the little features that REDCine provides but also be able to send straight to Pr to edit and feed into AE for additional styling and technical fixes.

Keep your eye out for our Rio footage on

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