RED WHITE BLUE | an exploration in media's innate distortion of empathy

How do we as individuals process powerful moments in the history of humanity, that do not necessarily directly effect us?

In RED, nature is enduring its own forces, and the beauty of this powerful event is encapsulated by the strength of the mums.

In WHITE, we view 24 names per second of video, names gathered from lists of the recently deceased - due to acts of war.

In BLUE, reaction is recorded while action is played on the face of the viewer.

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