(20:00, double 16mm projection and light-sensitive audio circuits)
Using a short segment of Russell's early ethnographic film Daumë as its foundation, this double-projection performance employs a variety of 16mm film loops, hand-built electronics, prismatic lenses, and analog components to create an audiovisual feedback loop that edges steadily towards the phenomenological. With echoes of Tony Conrad's The Flicker and William Basinski's Disintegration Loops, The Black and the White Gods seeks to interrogate the possibility of representation via the abstracted field of bodily experience.
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