This excerpt from Penny Arcade's play, BAD REPUTATION, features Penny's poem, NO MONA LISA, choreography by Lee Raines and dancers Patti van Dyke, Christine Holt, Catherine Hourihan, Viva Knievel Ruiz, Linda "Dirty" Martini, Julie Atlas Muz, Barbara Sicuranza, Kelly Webb, Jodi Wetzel.
Penny Arcade’s Bad Reputation examines the co-optation of the “bad girl” image by the art and entertainment world, which shuns women it perceives to be truly dangerous. The show reveals what contemporary feminism has always ignored, the way women betray women, which Penny Arcade posits as the real failure of feminism. Bad Reputation exposes what happens to young girls who are branded bad and are rejected by their families, kids their own age, and society all at the same time, leaving them isolated and vulnerable to lives at risk.
Bad Reputation examines the dark labyrinth of rape and sexual abuse and its inherent legacy of humiliation, both in her own life and in society at large, showing the connections between sexual abuse, prostitution and drug addiction.
Bad Reputation continues Penny Arcade's long use of female erotic dancers this time juxtaposing them with Broadway jazz dancers, to illustrate the good girl/bad girl dynamic at work in society.
Bad Reputation is an all-girl revenge show, except for a few gay men who can’t believe they’re not in the show, showing the long historical identification of gay men with bad girls.
Penny Arcade: A runaway at thirteen, a reform-school graduate at sixteen, a performer in the legendary New York City Play-House of the Ridiculous at seventeen, and an escapee from Andy Warhol’s Factory scene at nineteen, Penny Arcade emerged in the 1980s as a primal force on the New York art scene and an originator of what came to be called performance art. Arcade’s brand of high camp and street-smart, punk-rock cabaret showmanship has been winning over international audiences ever since.
Penny Arcade is the author of ten full-length performance pieces including the mainstream hit Bitch! Dyke! Faghag! Whore! Her work been presented in venues as celebrated as the Sydney Opera House and as sordid as New York’s Pyramid Club.
With long-time collaborator Steve Zehentner, Arcade is the co-producer of The Lower East Side Biography Project, a video oral history project. The project’s biographies cablecast in New York City every Monday at 11pm EST. LIKE us on Facebook and see the current cablecast schedule facebook.com/LowerEastSideBiographyProject
Bad Reputation, her first book was published by Semiotexte/MIT Press; and she was recently portrayed by Sex in the City actress Cynthia Nixon in the film, Englishman in New York, the biopic about her friend Quentin Crisp. pennyarcade.tv
If there is an underlying thematic in all of Arcade’s work, it is perhaps this concern to advocate the full expression of our “life force”—creative, sexual, physically and verbally expressive—and to speak out against those societal and political forces that would repress such energizing self-realization.
– Stephen Bottoms, University of Leeds, U.K.
NO MONA LISA, excerpt from Penny Arcade's Bad Reputation
Performance: PS122, New York, NY
Performers: Penny Arcade, Patti Van dyke, Christine Holt, Catherine Hourihan, Viva Knievel Ruiz, Linda "Dirty" Martini, Julie Atlas Muz, Barbara Sicuranza, Kelly Webb, Jodi Wetzel
Conceived, Written & Performed: Penny Arcade
Staged and Directed: Penny Arcade & Eric Wallach
Development of Design & Dramaturgy: Steve Zehentner
Choreography: Lee Raines
Lighting Design: Howard Thies
Music Director/Sound Design: Chris Rael
Video: Steve Zehentner, Jasmine Hirst
Live Video: Dean Lance
Costumes: Denise Carbonell
PS122 Executive Director: Mark Russell
NO MONA LISA Video
Camera: Jill Cowburn, Dean Lance
Edit: Steve Zehentner