"Movements in public spaces - how small must they be in order not to be recognised as performance?" To answer this question 12 choreographers have been invited to test their movement sequences at places not linked to the term "performance": a tram-stop shelter in front of the Vienna National Opera happened to be the perfect place. Voici: "the in/visible performance". When reenacted the relationship between performer, original videos and the audience comes to the fore :: the play with "In/visibilities" becomes productive on various layers.
Satu Herrala’s contribution (2009) was one of the choreographic sequences which were reenacted. The transparency of the glass room translates the single perspective of the theatre into a wholistic view. This was utilised to film the same contribution four times from four sides.
concept, performance, video editing :: Iris Julian
camera :: Reza Tavakoli
original contribution provided by :: Satu Herrala
very special thanks :: LIQUID LOFT, Chris Standfest