Tri-X Reversal super 8, in-camera editing. Cinematic devices inspired by Faust (1929) picked out of a hat (literally):
Moody Scale Deception
Shutter angle significance
"Events happen unseen"
Appears to be growing
Sets to accomodate the camera
Double exposure: 2 opposing things
Continuous wide shots to slow close up
Reflection in "pool"
Zoom for importance
Purposely conveyed emotion/mood
Composition to reference space out of the picture
"Adjusts hair in bald head"
Climbing "up a wall"
Camera moves "through the wall"
"Meal items disappear one by one"
Manual aperture adjustments
Suspense build up with blockade