cinéma vérité , French film movement of the 1960s that showed people in everyday situations with authentic dialogue and naturalness of action. Rather than following the usual technique of shooting sound and pictures together, the film maker first tapes actual conversations, interviews, and opinions. After selecting the best material, he films the visual material to fit the sound, often using a hand-held camera. The film is then put together in the cutting room.
The invention of relatively inexpensive, portable, but thoroughly professional 16- millimetre equipment—and the synchronous sound recorder—facilitated the development of a similar movement in the United States at just about the same time. Sometimes called cinéma vérité, sometimes simply “direct cinema,” its goal was essentially the capturing of the reality of a person, a moment, or an event without any rearrangement for the camera

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