Euridice. Alfonso Pretelt (Electroacoustic Piece)

https://alfonsopretelt.com

©Alfonso Pretelt 2014

Directed / Scenography / Editing / SoundTrack:

Alfonso Pretelt.

According to Richard J. P. et Poésie profondeitr, daydreams of molten metals, which are like rivers, suggest the "blood of the earth" as values and chthonic powers.

J.E. Cirlot.

Proposes a pictorial scenario constructed by hand to be intervened with digital processes that characterize the image inside a digital support whose sonority wraps the scenery unifying with the image and visual behavior converting audio data into graphic matrices. Also during the final rendering a signal error arises redirecting the piece towards a esthetic that integrates a failure by chance as a spiritual manifestation by the machine in a mounting where noise is suggested as leit motive.

This decision finally adheres to the discourse posed since the failure of the system and the technology of a worldview resulting from social and collective evolution.

SounTrack: Piece derived from the scenic work with the instrument (Tibetan Crótalos)

Video image processed with Jitter Max Msp.

Has been exhibited mainly in:

Understanding Visual Music - UVM 2015 - Brazil cientific international conference on visual music.

MUSIKHÖGSKOLANS KONSERTSERIE 2016 visual music concert. Stockholm / Sweden. curated by Antenor Ferreira.

Sonoimagenes en movimiento- Argentina 2014.

Pop up Kino Fest. Berlin 2015

Nits d Aielo festival de arte sonoro- Valencia Esp. 2015

Hangar Multifocal - Barcelona 2015

Understanding Visual Music - UVM 2015 – Brasil

Festival Sirga- Tarragona España 2015

FIVA Festival Internacional de Videoarte 2015

Festival de la imagen. Manizales/Colombia. 2016

Festival de Música Electroacústica Universidad Católica. Chile. 2016

Koninklijk Conservatorio – Netherlands CASS Real Conservatorio. 2017

Staffordshire University. UK Noisefloor 2017. Visual Music Concert. 2017

File Electronic Language International Festival SãoPaulo. 2017