"The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade"

A staging of Peter Weiss' 1963 play about the murder of Jean-Paul Marat and the events and philosophical struggles associated with the French Revolution. A play within a play that references multiple temporalities and asks the viewer to consider "how revolution comes about and at what cost"?

This staging featured a newly composed music score by Noah Keesecker, Joshua Clausen, and J. Anthony Allen, that pulls from period Revolutionary references and dissolves them in the genre of modern electronica.

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