A documentary film of 8.40 mn showing Jean-Pierre Sergent working on the silkscreen frames for printing his new works on paper for the show, LE DÉSIR, LA MATRICE, LA GROTTE & LE LOTUS BLANC, June 2014.

JEAN-PIERRE SERGENT is a French-American artist, he developed his repertory of artistic forms in the United States and continues to work and exhibit regularly in France and the rest of Europe. He recently exhibited at two solo exhibitions in major French museums: the Musée des Beaux-Arts of Mulhouse in 2011 and the Courbet Farm of Flagey in 2102. Last year, he had two solo shows, one of large works on paper: "Sex & Rituals" at the Omnibus Gallery of Besançon, France, and the other: "Cultures-Energies", at the Kunstpalais in Badenweiler, Germany. To learn more about Jean-Pierre Sergent's works, please visit his webpage : j-psergent.com/

Please read more about the silkscreen process in this article:
Talking to artist…Jean-Pierre Sergent
An Interview with Grith Grough for The Eroticartlover, Denmark, February 06, 2013.

What is the process for creating a silkscreen print?

Jean-Pierre Sergent: 
It’s a long process:
• First, I import an image on my computer. Sometimes I also draw directly on the film mask.
• Second, I redraw the image. Using design programs like Photoshop and later with Illustrator, to convert the design to vectors.
• Third, I send the information to the machine plotter in order to cut a Rubylith film with a blade. Two films are sandwiched together, the bottom layer is clear and is not cut, the top layer is red and cut by the blade.
• Fourth, I peel off the part of the film I don’t want to print so that my design remains on the film. If the design is simple it can take a few minutes and if it is complicated, it can take up to a day or more of work!
• Fifth, I clean the old silkscreen frames with a high-pressure water cleaner.
• Sixth, I coat the frames with two coats of photographic glue emulsion and let it dry.
• Seventh, I use Scotch tape to stick the ruby stencil that blocks light onto the back of the frame, and I expose it in a light box for five minutes. The glue dries where the surface is not protected by the film mask. After that, I clean the frame with running water to remove the parts that haven’t been exposed to light.
• Eight, finally I place my frame on the printing table and apply the ink with a squeegee onto paper or Plexiglas.
• Ninth, I add about three more layers of images on every Plexiglas painting. Then I finish it with three layers of monochrome coats with a brush, three coats of gesso and two of varnish.

How long does it take to make a silkscreen print from start to finish?

Jean-Pierre Sergent: 
Silkscreen printing is a long and laborious process. I have a huge database of images collected over the years. So it can take anywhere from a few weeks to several years for an image or a symbol to appear in one of my pieces of art.

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