“Sacred Monsters. Monstres Sacres. The term was used for the first time in France in the 19th century as a nickname for the big stars of the theatre, such as Sarah Bernhardt. It marks the birth of contemporary stardom in which the icons of the arts and sports world are given divine status by their audience and the media.
Sacred Monsters is first and foremost the meeting and exchange of two such 'stars' of the present day dance world: Sylvie Guillem and Akram Khan.
But there is also a flip side to stardom. Having to live up to the expectations of your audience to be perfect, positive, good (at), … There is no more room for failure, imperfection, to express one's real feelings and emotions. The divine status becomes inhuman, monstrous.
The latter being an experience we all share when as children we had to live up to the expectancies of the adults around us: our parents, our teachers, … To some extent all children are 'sacred monsters'.” Guy Cools, may 2006