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Canon COMPACT-SERVO zoom lens, ME200, and ME20 gear reviews

Andrea Allen
May 3, 2016 by Andrea Allen PRO

What gear we review: Canon COMPACT-SERVO 18-80mm T4.4 EF, ME20F-SH, and ME200S-SH.

Who it’s perfect for: The COMPACT-SERVO zoom lens is ideal for indie and documentary filmmakers who need an easy-to-operate lens, as well as a wide range and full control over aperture, zoom, and focus. The ME20F-SH are great cameras to rent for niche, nighttime or low-light shoots, while the ME200S-SH is a better option for those on a budget.

The Vimeo take: The COMPACT-SERVO zoom lens is super cool. It’s parfocal, which means when you zoom in on a subject, find focus, and zoom back out, it will maintain that focus. The lens has a big range and uses Cine gears, but is fairly lightweight considering its size and feature set. We’re very happy Canon equipped the lens with a Servo zoom for finger-zoom control — just like our old camcorders!

The ME20F-SH is a little beast that can basically see in the dark with an ISO of four billion. This full-frame HD camera records to an external drive, and it’s small to boot, which means it’s easy to mount on a jib or crane … in outer space.

The ME200S-SH is kind of like the little sister to the ME20. Similar in size and body type, this camera has professional outputs like SDI for broadcast and high-quality video recording. This camera is not full frame, so the smaller sensor also means a smaller ISO. But it’s still super high compared to a lot of other similarly priced cameras.


p>Next up: DJI’s Phantom 4 drone — and filmmaking atop the high seas.

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    Lights, camera, drones! ...and lenses. And lots more. Even if you didn't make it to NAB, you can still see the gear we're psyched about.
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    Fully submergible lights. That is all.
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    Spoiler alert: we have a crush on the Fs7 and use it at HQ.
  4. From parfocal lenses to niche nighttime shoots, we're showing you some standout features of Canon's latest camera gear.
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    Drones baby, drones.


Gary Rifat Plus

Please vimeo edit the sound the interviewer is to loud compared to the person being interviewed whome can hardly be heard

PiD Media

Is there a non edited version of the interview?
Short n snappy is fine, but it felt like there was more information not shown - The titles and announcement vision of the first 26 seconds could have been done with a 7 to 10 second lower third to get to the interview content quicker ;)
I'd love to hear about the other lens that was over on the ME200 with what looked to be a B4 to EF adapter.
Wait, hit paused the second time through, it's just the over-priced MTF unit.
(When the adapter cost more then most camera's it'd be useful on, and more then half of what the rest cost, it's over-priced)

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