1. A quick test of the 4K 8bit 422 of the Canon XC10.

    First impressions are great so far, a truly amazing camera to hand hold.

    Canon XC10 - 4K Handheld with Face AF Priority / Canon C-LOG with light grade in FCPX.

    # vimeo.com/137808096 Uploaded 8,052 Plays 8 Comments
  2. This is a setup guide for the Canon XC10 and the Atomos Flame Series. This guide takes you through the intricacies of the menu set up, so you get the most out of your camera and recorder. This setup also outlines the benefits of this setup for Shooting HDR.

    # vimeo.com/179985869 Uploaded
  3. This is the prologue for the documentary I cut for FRONTLINE/PBS last fall. Watching it now I'm thinking: "Hey this is pretty good! I think I'll watch that program." Funny how a little distance from a cut gives one a cleaner perspective.

    # vimeo.com/150838641 Uploaded 119 Plays 0 Comments
  4. All footage taken from the original Rear Window (1954) directed by Alfred Hitchcock.

    The order of events is pretty much as seen in the movie.

    more info: jeffdesom.com/hitch/

    Hungarian Dance No. 5
    composed by Johannes Brahms
    arranged for easy listening by Hugo Winterhalter

    # vimeo.com/37120554 Uploaded 1.4M Plays 493 Comments
  5. UPDATE 03/16/14: Downloadable ProRes 4:2:2 QuickTime is now available.

    Shot in Austin and Lakeway, Texas.

    Austin Skyline background and chroma key wall courtesy of Broadway Digital.

    broadwaydigital.us/broadwaydigital.html

    The band consisted of: Marco Landa - keys, Gary Feist - bass, and Ernie Durawa - drums

    Picture style was EOS Standard. ProRes 4:2:2 HQ files were recorded with a Blackmagic Design Hyperdeck Shuttle 2, with 3:2 pulldown removal performed in After Effects CS6. Chroma key was removed using Key Light in After Effects CS6.

    Canon EOS C100 camera body and Rokinon Cinema Lenses provided by Texas Media Systems.

    # vimeo.com/54325017 Uploaded 21.5K Plays 29 Comments

cinematography

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