In an abandoned beach house, a solitary girl finds a mysterious camera that reveals something unexpected.
"Perfect in its simplicity, beautiful and haunting in its visuals, The Camera is a reminder that a great film is in everyone’s grasp, as long as he/she has the creative capacity and appropriate willpower to drop pretension, and quite simply, make something." —Short of the Week
"From its delicate shot composition to an emotionally stirring score, Peter Lewis‘s The Camera is a crash course in great filmmaking." —Film School Rejects Short Film of the Day
"A compelling example of what’s possible when perseverance and resourcefulness meet." —DirectorsNotes.com
"Awesome ... 'The Camera' proves that beautiful movies can be made simply and makes you want to get out and make your own!" —Mitch Aunger, planet5D
Follow me on twitter: @thispeterlewis
Listen to the original score here: https://soundcloud.com/peterlewismusic/the-camera-original-score-1
Aside from a few unfinished running-around-in-the-woods-with-guns experiments from my early teens, this is my first film. I made it because I love all the different aspects of filmmaking, because I was tired of my fear of failure, and because I wanted to see what would happen if I just finished one. Maybe this will lead to bigger and better films; maybe not. Either way I learned something.
The story was largely born from its constraints. It had to be doable in my free time, and I had to be able to shoot it during my vacation in Nags Head, NC—with a budget of only $50, to cover the props (I'd previously owned the Canon T2i, lenses, and Logic Pro, and used the free 30-day trial of FCPX). I wanted it to be a simple story with a mysterious twist or two.
I got lots of advice from fellow filmmakers—Andrew, Mitchell, Kyle, Brian, Shepherd, Drew, David, and others. If you like the film, thank you Andrew, Mitchell, Kyle, Brian, Shepherd, Drew, and David. If you thought it was rubbish, they only tried to make it better than it was. And thanks again to Abbie and Gabe, without whose talents I couldn't have made it.
Some have asked about Emily; the film wasn't written about her (she passed away while it was in post-production), but she was a dear friend of my family and many others, and it was an honor to dedicate it to her memory.
Many of you know far more about filmmaking than I do, so please feel free to offer any critique.
The Lights Film School blog interviewed me about the making of the film and overcoming fear of failure: http://www.lightsfilmschool.com/blog/short-film-canon-t2i-low-budget/1780/
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Also used in Basic Cinematography and Reflexive Film classes at universities including Syracuse.
Director / DP / Editor / Composer / Colorist / Sound Designer / Foley: PETER LEWIS
Girl: ABBIE LEWIS
Boy: GABE LEWIS
Camera: Canon Rebel EOS 550D T2i
Lenses: Canon 50mm 1.4, Tamron 28-200mm
Editing / Color Grading: Final Cut Pro X
Sound Design / Foley / Original Score: Logic Pro 9
Polaroid film: The Impossible Project
Short documentary shot on super 16mm relating the hopes and desires of those who go for a motorcycle road trip.
A film by Clement Beauvais and Arthur de Kersauson
Directed by Clement Beauvais
Produced by Arthur de Kersauson
Written by Clement Beauvais and Arthur de Kersauson
Dop Zack Spiger
Editing Clement Beauvais
A Moonwalk films Production
With the support of Edwin.
Picture and Blog: Hysteric Studio
Photographer Donald van der Putten
Making off Thomas Chedeville
2015 AFI Docs Festival
2015 Brooklyn Film Festival
2015 Montclair Film Festival
2015 Big Sky Documentary Film Festival
2015 Lighthouse International Film Festival (Grand Jury Award, Best Short Documentary)
2015 Queens World Film Festival (Best Short Doc Nominee, Honorable Mention)
2015 Disposable Film Festival (Honorable Mention)
2015 Northside Festival