This patch focused on using the 4ms Quad clocking distributor (QCD) module as the main brain to trigger the drums and musical sequences. The source clocking generator was the delptronics triggerman running in pattern mode. I set up 8 stored sequences that had slightly different shifted gate positions, and then outputted these assignments to the 4 channels on the 4ms OCD, and then took those outputs into separate gate triggers for the drum/snare/high-hats. The Modcan QLFO was also being clocked from the delptronics trigger man. Running from LFO output 1 in random stepped mode causing ever changing CV changes to the CV Clock Divider/Multiplier inputs, which gave the sequencing this interesting pace. I kept the sound sources very simple and limited. Using just 3 different intellijel dixies as the main sound sources (sine waves and one square). All three being triggered and then CV controlled in slow stepped mode from the Modcan Quad LFO, then into the µScale intelligent quantizer and interval generator for the melodies. The output was running through a Strymon BigSky reverb pedal using the "Chorale" algorithm for the slow like choir pads swelling delicately from the summed VCO's. One intellijel running in low octave pitch down for added baseline effect. Drums courtesy of the Mutable Instruments Braids for the snare drum running in CLK mode, with the envelope set to "ping" short attack. The kick drum was from the JoMox Membrane II, and hi-hats from the 4-hp whitenoise output from the BlueLantern running into a intellijel HexVCA. Another direct whitenoise out from the HexVCA running into a cwejman MMF-1 filter for the slow delicate automating filter sweeps, being modulated by cwejman D-LFO. This output was then taken into the Strymon Timeline for added depth and space. This patch was specifically created as a lullaby to play at bedtime for my baby Eila. Enjoy :-)
***UPDATE / SUBTITLES***
Malay, Greek, Russian, Turkish, Hungarian, Esperanto, Thai, Dutch, Latvian, Polish, Czech, Chinese, Bulgarian, French, German, Spanish, Portuguese, Italian and English subtitles on universalsubtitles.org http://bit.ly/WuZ4z2
You are welcome to add subtitles in your language, you will be credited for your help. Thanks!
***UPDATE / 100.000 Plays!***
After just a week, we reached the awesome goal of 100K plays. Thanks to everybody who shared, commented, liked and got inspired by watching Further Up Yonder. It has been an intense week, spent answering a ton of nice messages that people from all over the world sent to me. You made possible to have this video featured on blogs, forums and major media websites during this week. You helped this video crossing borders, as the astronauts asked us, reaching out to every continent. Thanks for your incredible support. Keep sharing!
***TO THE STARS!***
A timelapse message from ISS to all Humankind. - 2K version available on my blog: http://wp.me/p2fVm6-bv
I wanted to use pictures taken from the International Space Station to tell a story and share the message sent by the astronauts who worked on the station in the last 11 years.
They are working to open a Gateway to Space for all humankind, but people on Earth must understand that they have to get rid of the concept of borders on our planet if they want to follow the astronauts to new worlds in outer space. While the cosmonauts speak a day passes on Earth, from dawn to sunset, until the Gateway opens with a burst of light. The ISS then gains speed, the astronauts are leaving our planet which they see spinning faster and faster, merging earth, oceans and people together, ready to follow them, Further Up Yonder.
As a filmmaking student, this was my first attempt to craft a timelapse video. It has been a time consuming process, but it turned out as one of my most satisfying projects.
I focused my workflow on colours and harmony of movements, syncing every frame with the music and the voices of the astronauts. Every picture has been post processed individually before being imported in the NLE software, as I tried to take the most out of every image in terms of colours, contrast and neatiness.
Pictures were downloaded from the Image Science & Analysis Laboratory, NASA Johnson Space Center and edited with Photoshop CS6. Even if they were Hi-res images shot with Nikon D3S cameras, a lot of noise removal and color correction was needed, especially for those shots at ISO 3200, which was the highest ISO speed limit I've allowed myself to use, exception made for the last sequence of the spinning world, which comes from a sequenze of shots taken at ISO 12800. Daytime shots were taken at ISO 200. I've used Topaz Denoise 5 for noise removal, as it is very powerful and accurate when dealing with shadows and blacks.
Editing was made with Adobe Premiere CS6, with a 2K workflow, which allowed me to scale, rotate and pan image sequences whose native resolution is 4K. The video was downscaled to 1280x720 resolution for Vimeo. The original 2K version is available for download on my blog (link on top of this description).
Images courtesy of Image Science & Analysis Laboratory, NASA Johnson Space Center, downloadable for non-commerical use from http://eol.jsc.nasa.gov/
Music: Synthetic Truth, by digitalR3public - licensed under a Creative Commons - Attribution 3.0 License: http://soundcloud.com/digitalr3public/synthetic-truth
Audio messages courtesy of NASA: http://www.nasa.gov