With little experience but a whole lot of natural-born talent, 16-year-old Danielle Bradbery tried out for The Voice hoping to make her dreams come true. Her cutesy, pitch-perfect rendition of Taylor Swift's "Mean" during the blind auditions landed her a spot on coach Blake Shelton's team. An early (and clearly unstoppable) frontrunner, Bradbery earned heaps of praise from the judges and was a dominating presence on the iTunes songs chart week after week.
She was unsurprisingly crowned the Season Four champ, earning a recording contract with Taylor Swift's Nashville-based label Big Machine Records. She starts working on her debut album next week.
In early Fall 2011, I shot some footage with a pre-production model of the Canon EOS C300 for one week in NYC. I created an article and a video for Canon based on my experiences with the camera. The video is meant to poke fun at most camera test videos I've seen over the years. Canon, not thrilled with my sense of humor, does not credit or condone this video, but I think it shows a lot of the camera's strengths.
I believe that Canon made a beautiful camera that is sensible, reliable and portable in a way that I've always dreamed a camera could be. It prioritizes great skin tone and has higher ISO sensitivity than any other camera out there.
I know there's nothing I can say to change the minds of the RED fan club. For the rest of the skeptics, I think once you get your hands on it you'll understand how great this camera really is. Please buy this camera in January and go film some good skin tones in the dark. You'll love it.
Thanks go out to all my friends for helping me with this.
This is a personal project that would not have been possible without the support of the Westpac Rescue Helicopter Service. Thanks to the entire team for their generous access during training exercises and patrols this Summer. Since the Service began in 1973, it has carried out more than 21,000 missions ranging from urgent patient transfers to dangerous search and rescue missions.
This film is 100% 'real', but there are some new techniques for me here, such as using time lapse to create the illusion of forward movement for the helicopter ocean scenes. These flight sequences would not be possible without the skill and patience of Chief Pilot Peter Yates. Thanks also to Trevor Cracknell (for getting wet!) and Family.