1. Annecy Animation Festival Official Selection
    13th Pictoplasma Festival 2017 Film Screening
    ASIFA Animation Festival Music Video 1st Place Winner
    Fantoche Film Festival
    Woodstock Film Festival
    Newport Beach Film Festival
    Chicago International Movies and Music Festival

    Motionographer Article: http://goo.gl/DmSB6u
    Stash Article: http://goo.gl/VWEKwV

    Directors:
    Kris Merc cargocollective.com/krismerc
    Benjy Brooke benjybrooke.com/
    Production Company: Ataboy ataboystudios.com/
    Creative Director: Vikkal Parikh
    Story: Kris Merc, Benjy Brooke, Vikkal Parikh
    Designers: Benjy Brooke, Ellen Su, Kris Merc
    Animators: Benjy Brooke, Ellen Su, Zeynep Aydogmus, Scott Wilkinson, Arthur Guttilla, Yana Pan, Monika Norcross, Christine Kim
    Compositor: Adam Van Dine
    Editor: Jeremy Baumann
    3D Artist: Emily Zurl
    Storyboards: Benjy Brooke, Takeia Dunlop
    Producer: James Howell
    Executive Producer: Karen Hennegan

    Song credits:
    Recorded at Mophonics Music + Sound in Venice, CA
    "Mojo Thunder" Produced, Recorded and Mixed by Josh Marcy
    Mastering by Kelly Hibbert
    ℗ and © Mophonics and the Peach Kings

    thepeachkings.com
    Buy the "Mojo Thunder" single and EP here: itunes.apple.com/us/album/mojo-thunder-ep-ep/id879192585
    facebook.com/peachkings
    soundcloud.com/thepeachkings

    # vimeo.com/96822684 Uploaded 160K Plays 87 Comments
  2. Uploaded 487 Plays 1 Comment
  3. Created by: Phil Borst
    Music by: dustinohalloran.com/
    Software: After Effects
    Project File : onlinefilefolder.com/3sizXeTYTkWkcq

    # vimeo.com/40006163 Uploaded 192K Plays 408 Comments
  4. Stink Director Adam Berg's concept for Carousel was a short cinematic film which told the story of armed clowns holding up a bank, then escaping into a nearby hospital, before having a massive shoot-out with the cops. Adam wanted all this action to appear frozen in time and for the camera to fly through the scene in one continuous move.

    One of the main challenges was how to shoot such a large continuous camera move without cutting, creating obvious joins, or shooting with the camera rails in shot. Having worked with us (The Visual Effects Company previously Visual Effects Supervisor Richard Lyon from Red Rum post in Sweden contacted us to assist in addressing these production challenges. It was decided that our Milo Motion Control system was the ideal choice of rig as it gave us the greater range of speed and movement but also enabled the move to be broken down into smaller sections which could then be seamlessly joined together in post production. Motion Control also allowed multiple passes to be shot, which meant that after shooting action takes, the Motion Control rail could be lifted up and clean floor passes could be shot. Clean passes were then used to remove the wires that supported the extras during the shot.

    With a very tight budget and an ambitious two days to shoot the whole sequence, planning out all of the shots in advance was essential. Prior to shooting we were supplied with an initial 3D Previs of the sequence which contained a simple animation of how the camera would move into, through and out of the hospital building. We then used our in-house Motion Control Rig Chase software to calculate the likely speed and range of the move. Using Rig Chase also allowed us to schedule how long each set up and shot would take, which was vital with such a tight shooting deadline.

    Once on set, our Previs artist Andrew Bull took precise measurements of the location and built a virtual model of the set in 3D. This 3D set was then populated with models of robbers and cops in key positions. An initial animation of the camera move was then created, which was further refined until the Director was happy with timing and composition of the shots.

    The Milo was used in three separate areas of the location, one exterior, and two interiors on different floors. On the first shoot day the Milo was set up and shot the reception interior then it was dismantled and moved outside and reassembled for the exterior shot. Once this was completed the Milo was again broken down and rebuilt for the interior corridor shot on day two.

    The whole sequence was successfully shot in two days at Barrandov Studios in Prague. thevfxco.co.uk

    # vimeo.com/13680663 Uploaded 11.2K Plays 9 Comments
  5. This After Effects tutorial for mamoworld.com shows how to create cool effects with the Plexus Plugin and the ExpressionTimeline.

    More infos and the project download are available at:
    mamoworld.com/index.php?option=com_content&view=article&id=106:tutorial-timeline-for-plexus&catid=35:tutorials&Itemid=62⟨=en

    German version / Deutsch Version:
    mamoworld.com/index.php?option=com_content&view=article&id=106:tutorial-timeline-for-plexus&catid=35:tutorials&Itemid=62⟨=de

    # vimeo.com/20659093 Uploaded 22.7K Plays 8 Comments

Motion Graphics and kinetic typography

Eric MacKay

Work I have done in adobe after effects.

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