1. Peter Stutchbury talks about Bangalay, a house he designed in Kangaroo Valley and its placement and ventilation properties. This is an excerpt from Built for the Bush: Green Architecture of Rural Australia, produced for the Historic Houses Trust NSW.

    # vimeo.com/108298307 Uploaded
  2. “Doing architecture is listening.” Some of the greatest architects of our time – from Peter Zumthor to Jean Nouvel and Diébédo Francis Kéré – here share their inspirational thoughts on what it is that makes global architecture work.

    Swiss architect Peter Zumthor (b. 1943) always has a certain “feeling for the space”, which enables him to react as an architect. This he also attributes to having background knowledge of the place, which is easier in our modern, global world. The real challenge is to understand the local people and their subtext.

    “I’m a contextual architect, but for me the context isn’t only the site.” French architect Jean Nouvel (b. 1945) considers architecture to be part of a wider historical and cultural context. A building, he feels, always has roots, and a building can’t simply be put anywhere and must always develop according to its context.

    Danish architect Louis Becker (b. 1962), who is a Principal Partner at Henning Larsen Architects, feels that the globalization of architecture enables architects to both influence – and be influenced: “The nice thing about a Coca Cola is it’s the same thing all over the world… if you did that in architecture, it would be a disaster.”

    “Having the opportunity to see both worlds – or even many worlds – is an incredible source of inspiration,” says Nigerian architect Kunlé Adeyemi (b. 1976), who is inspired by travelling the world and aspires to create projects that “seem like they belong there, and at the same time look like they came out of nowhere.”

    Norwegian architect Kjetil Trædal Thorsen (b. 1958), founding partner of Snøhetta, feels that there is a great strength in coming from the outside as an architect, as it enables you to “re-search, re-interpret, re-translate.” Moreover, co-operation is key, which also means involving the locals and using their local material – in this sense, architecture builds bridges.

    Architecture is a process made in collaboration with the local people, who should ultimately consider the structure their own, according to Burkina Faso architect Diébédo Francis Kéré (b. 1965): “Architecture starts with people.” In continuation of this, Kéré uses old, local materials to create something new and appealing.

    English architect Norman Foster (b. 1935) feels that it is important to use architecture as a tool to address some of the bigger social issues – such as sanitation, water and power – while still respecting the urban structure. The true task is to transform e.g. settlements rather than simply tear them down.

    The interviews can be watched in full length at channel.louisiana.dk/topics/architecture

    All interviews by Marc-Christoph Wagner, Louisiana Museum of Modern Art.

    Produced by: Marc-Christoph Wagner
    Edited by: Klaus Elmer
    Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2016

    # vimeo.com/152566177 Uploaded
  3. “The soul has more need for the ideal than the real,” says American architect Steven Holl, who here shares his organic approach to creating architecture that can potentially change people’s lives.

    Architecture ”begins with a site and a circumstance, a situation and a programme” according to Holl. Therefore it should be reinvented for every situation instead of simply aiming for a signature style. Holl’s focus is thus on the place rather than on the need to strengthen a given brand, which seems prevalent in modern society.

    The organic relation between everything, the intertwining of every element and material, including the light, is an important part of how Holl creates his architectural designs. “Architecture is about shaping space”, states Holl, and the experience of the architectural space should be pure and free of the conceptual strategies behind it – just as when you experience and appreciate music.

    “The soul has more need for the ideal than the real,” he continues, explaining how it can be of utmost importance to break the rules and mentioning Louisiana Museum of Modern Art in Denmark as an example of how this can be done successfully and exceptionally.

    Steven Holl (born 1947) is an American architect and watercolourist, who is world-renowned for his designs for e.g. the 2003 Simmons Hall at MIT in Cambridge, Massachusetts; the 2007 Bloch Building addition to the Nelson-Atkins Museum of Art in Kansas City, Missouri and the 2009 Linked Hybrid Complex in Beijing, China. Holl is the founder of Steven Holl Architects and also a tenured faculty member at Columbia University where he has taught since 1981. In 2001 Time Magazine named him America’s Best Architect, for ’buildings that satisfy the spirit as well as the eye’. He has been awarded the Praemium Imperiale Award (2014), the 2012 AIA Gold Medal, the 2010 Jencks Awards of the RIBA and the Alvar Aalto Medal (1998) among many others.

    Steven Holl was interviewed by Jesper Bundgaard/Out of Sync in New York in 2014.

    Camera and edit: Per Henriksen
    Produced by: Out of Sync and Christian Lund

    Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2014

    Supported by Nordea-fonden

    # vimeo.com/116050454 Uploaded
  4. “Quality is an attitude of mind.” The great architectural mastermind of our time Norman Foster, who turned 80 in June 2015, here reflects on a long and prosperous career – and life – with prominent buildings and more than 1,000 employees all over the world.

    Foster has always considered technology to be an ally. As a child he was immensely excited by machines and their speed – he spent many hours making sketches of and reading about them. He left school at age 16, did National Service for two years, worked different jobs to earn money, but never abandoned his private world of drawing and dreaming. When he discovered that he as an architect could actually do the things that had always excited him, it simply didn’t feel like work.

    Respecting the structure of a city or a place is essential: “I’ve realized the important links between individual buildings and infrastructure.” Architecture has to address the bigger issues and make a difference to the world we live in. Architects can’t solve every problem in the world, but what they can do, however, is to contribute by turning the complex into something simple via shape as well as material and being aware of the “urban glue” that binds everything together: “We have rethought, redesigned, reinvented. We have questioned and gone back to basics.”

    Norman Robert Foster (b. 1935) is an English architect and designer, who is considered one of the most prolific architects of his generation. He is the founder of Foster and Partners (1967) and responsible for renowned buildings such as London City Hall and Millennium Bridge (London), Reichstag (Berlin), Bilbao Metro, Hearst Tower (New York), Hong Kong International Airport, Beijing Capital International Airport and Apple Spaceship Headquarters (est. 2016). Foster, who is a Fellow of the Chartered Society of Designers and winner of the society’s highest award, The Minerva Medal, has received several awards such as the Pritzker-prize in 1999 (often referred to as the Nobel Prize of architecture), the Stirling Prize in 1998 and 2004, as well as the Aga Khan Award for Architecture – the biggest architectural award in the world – for the University of Technology Petronas in Malaysia (2007). He was knighted in 1990, and in 1999 he was created a life peer, as Baron Foster of Thames Bank, of Reddish in the County of Greater Manchester.

    Norman Foster was interviewed by Marc-Christoph Wagner in his home near Geneva, Switzerland in April 2015.

    Camera: Mathias Nyholm
    Edited by: Kamilla Bruus
    Music: 'Draw a Blank' by Søren Dahl Jeppesen (from Find the Tune)
    Produced by: Marc-Christoph Wagner
    Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2015

    Supported by Nordea-fonden

    # vimeo.com/129411768 Uploaded
  5. We visited Peter Zumthor – one of the world’s leading architects – in his studio in Switzerland. In this extensive and rare biographical video interview he tells the captivating story of his childhood, his studies in NYC and his parents’ strong influence.

    Zumthor – who works from the small town of Haldenstein in Switzerland – likes being outside the big centres of the world, as it frees him of having to consider the opinions of his fellow colleagues: “If you work like an artist, you need your own separate space.” He does, however, also work well in the “anonymous sound” of a city, where it is also possible to find calm in “a protective ocean of sound.” There are, Zumthor feels, different kinds of silence, and finding one’s mental silence – being able to concentrate – is what is most important in order to work well.

    “There’s nothing I’m not interested in.” Zumthor loves literature and music, but prides himself in taking an overall interest in different things, as it fuels him: “It’s a nourishing ground.” His constant appetite for learning gives him the tools to be able to understand whatever place or landscape he needs to work in, and being able to “feel a space” and having an idea how to react as an architect, is essential. When he designs his innovative architecture, Zumthor furthermore puts great emphasis on connecting the old with the new, rather than breaking with history. Likewise, he feels that all architects have a great social responsibility when it comes to creating buildings, which are both well crafted and sustainable.

    Anything can be considered art as long as it’s done with personal devotion to the making of it, Zumthor argues: “I never decided to become an architect.” Starting out as an industrial designer, it was not until 1968 that he made the decision of becoming an architect and began participating in competitions, thinking to himself: “I can do this better.” As for the first competition he entered, he was kicked out in the first round – a pivotal experience that made him aware of the need to always improve.

    Peter Zumthor (b. 1943) is a Swiss architect. Among his best-known projects are the Kunsthaus Bregenz in Austria, the thermal baths in Vals in Switzerland, the Swiss Pavilion for Expo 2000 in Hannover (an all-timber structure intended to be recycled after the event) and the Kolumba Diocesan Museum in Cologne. Zumthor is the winner of several prestigious awards such as the 1998 Carlsberg Architecture Prize, the Mies van der Rohe Award for European Architecture (1999), the Praemium Imperiale (2008), the 2009 Pritzker Architecture Prize and the 2013 RIBA Royal Gold Medal. He lives and works in Switzerland.

    For more about Peter Zumthor see: zumthor.tumblr.com/

    Peter Zumthor was interviewed by Marc-Christoph Wagner at his studio in Haldenstein, Switzerland in May 2015.

    Camera: Klaus Elmer
    Edited by: Klaus Elmer
    Produced by: Marc-Christoph Wagner
    Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2015

    Supported by Nordea-fonden

    # vimeo.com/147308260 Uploaded


Franco Vaz Dall'Onder

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