speaking parts

  1. Lucha libre alla Sagra del Peperoncino Ribelle all'XM24

    date > 06.10.2017
    location > XM24, Bologna

    camera/editing > teleimmagini

    # vimeo.com/237288655 Uploaded 332 Plays 0 Comments
  2. les garcons sauvages / bertrand mandico / teaser

    # vimeo.com/233192583 Uploaded 104 Plays 0 Comments
  3. La historia de los Escobar más famosos de los 80 y mediados de los noventa. Como sus historias se unen y terminan en el trágico final del futbolista.

    # vimeo.com/124696561 Uploaded 16.4K Plays 1 Comment
  4. Our Summer Made Her Light Escape is a wordless,16mm portrait of interiority, maternal ambivalence and the passage of time. It explores quotidian allurements and cruelties: a crippled bee, a mole in its death throes, a smashed robin’s egg.

    Born in Brooklyn in 1968, Sasha Waters Freyer is a moving image artist creating "a cinema of opposition [through a] spirit of engagement with earlier, radical-romantic image making. My experimental and documentary films have featured dominatrixes, coal miners, artists, children, populist poets and rural activists – outsiders, in short; inhabitants of the critical margins of our world that are, in the words of Wendell Berry, ‘always freeholds of wildness.’

    Sasha Waters Freyer's films have screened widely in the U.S. and abroad, including on PBS and the Sundance Channel, the Telluride, Tribeca and Rotterdam Film Festivals, L.A. Film Forum, the Gene Siskel Center and the Film Society of Lincoln Center, and have been reviewed in Variety, ArtForum, The New Yorker and Mother Jones, among other publications. She is the Chair of the Department of Photography & Film at Virginia Commonwealth University in Richmond, VA.

    # vimeo.com/74674278 Uploaded
  5. Directed by Bruno Dumont
    Produced by 3B Productions
    Director of photography: Guillaume Deffontaines
    Official Selection | Quinzaine des réalisateurs | Cannes Film Festival 2017

    # vimeo.com/218466379 Uploaded 212 Plays 0 Comments

speaking parts

SpeakingParts

'I have to recognise it’s cosmical; the shit is cosmical. It’s not just social, it’s not just ontological, it’s really huge. And that’s why we expand.'

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