1. Directed by Andrew Thomas Huang
    andrewthomashuang.com

    WINNER at SLAMDANCE 2012 of the Special Jury Prize for Experimental Short

    Facebook facebook.com/AndrewThomasHuang
    facebook.com/Solipsistfilm
    Twitter - twitter.com/Andrew_T_Huang
    Tumblr - andrewthomashuang.tumblr.com/

    Original Soundtrack: itunes.apple.com/us/artist/the-nautilus-diary/id514184687

    Cast Featuring: Mary Elise Hayden, Marissa Merrill & Dustin Edward

    Executive Producers: David Lyons & Andrew Huang
    Producers: Laura Merians & Stephanie Marshall
    Cinematographer: Laura Merians
    Production Designer: Hugh Zeigler
    Costume Designer: Lindsey Mortensen
    Hair & Makeup Designer: Jennifer Cunningham
    Sound Design & Original Score: Andrew Huang

    A Moo Studios & Future You Production

    Copyright 2012 Andrew Huang All Rights Reserved.

    # vimeo.com/37848135 Uploaded 1.8M Plays 572 Comments
  2. AEON is/[may become]/isn't/has been a first person singleplayer survival[suicide] horror game set o-

    -You don't care about survival do you? I read you and I see only one thing: Fear. Fear that this will never end, this cycle of death and rebirth, of lifeless immortality-

    http://www.noctuelles.info/AEON

    # vimeo.com/62769530 Uploaded 578 Plays 0 Comments
  3. Double-exposures in motion.

    -
    One Screen Title and End Credit Sequences 2016 – Winner
    SXSW Excellence in Title Design 2014 – Finalist
    Desktop Magazine's Create Design Award for Motion 2013 – Winner
    Australian Production Design Guild Award for Title Design 2013 – Winner
    -

    Breeder was invited back to create the opening titles for Analogue/Digital, so once again, we threw ourselves into the project and didn't hold back. This year, we developed an ambitious aesthetic based upon the idea of double exposure, inspired by Alabaster's amazing track and the conference's program design. We worked around the theme of binary, juxtaposing the urban sprawl and nature, black and white, flight and fall, and unification and disintegration. It was a labour of love and we couldn't be prouder with the end result.

    BREAKDOWN VIDEO: vimeo.com/breeder/adbne2013-breakdown

    analoguedigital.com.au
    studiobreeder.com
    iamalabaster.bandcamp.com

    Credits
    Creative Direction: Joyce Ho
    Producer: Adam Sebastian West
    Cinematography: Chris Morris, Alex Gee, Adam Sebastian West
    Editing: Alex Gee
    Design Lead: Joyce Ho
    Design: Alex Gee, Timothy Lovett, Jai Mitchell
    Compositing: Chris Morris
    Animation: Alex Gee, Joyce Ho, Grayson Huddart

    Starring: Abagail Pirie, Anthony Trojman

    Sound by ALABASTER

    # vimeo.com/66487989 Uploaded 241K Plays 172 Comments
  4. In this experimental animated short from Renaud Hallée, we travel inside a mysterious mechanism made up entirely of revolving gearwheels, triangles and lines. In this whirling, hypnotic world, dozens of tiny gymnasts leap, somersault and twist through the air. Their spirited acrobatics trigger both narrative and musical sequences that are mesmerizing and, at times, dizzying. Half-figurative and half-abstract, The Clockmakers is a playful creation that is sure to captivate and dazzle its audience.

    # vimeo.com/65669594 Uploaded 104K Plays 52 Comments
  5. The Opening Titles for Style Frames NYC. A Tendril Design + Animation Production directed by Anthony Scott Burns and Chris Bahry, and scored by John Black of CypherAudio. There is a great post on the making-of and process here: motionographer.com/2013/02/07/in-depth-coverage-stylefames-ny-opener/

    Credits:

    Production Company: Tendril Design + Animation

    Directed by: Anthony Scott Burns and Chris Bahry
    Music and Sound Design: John Black of CypherAudio
    Editor: Chris Murphy of Relish Editing
    Executive Producer: Kate Bate
    Producer: Molly Willows

    DOP: Anthony Scott Burns
    Costumes: Jessica Mary Clayton
    Make-Up: Stacy Hatzinikolas
    Grip: Chris Atkinson
    PA's: Howard Gordon, Derek Evoy

    Man at Computer: Travis Stone
    Gods: Iain Soder, Jessica Mary Clayton
    Motorcycle Rider: Kris Sharon
    Guy with Binoculars: Dennis Pikulyk

    Gods Concept Art: Marco Texeira and Vini Nascimento
    Additional Gods Concept Art: Ash Thorp
    Environment, Prop, and God Design: Anthony Scott Burns, Vini Nascimento, Chris Bahry, Andrew Vucko
    3D Modeling: Vini Nascimento, Marcin Porebski, Renato Ferro, Andrew Vucko
    3D Rigging: Renato Ferro
    3D Animation: Vini Nasicmento, Marcin Porebski, Renato Ferro
    Textures: Vini Nasicmento, Renato Ferro
    Lighting, Render: Brad Husband
    Title Animation: Andrew Vucko
    Compositing: Chris Bahry, Anthony Scott Burns, Brad Husband

    About

    Tendril's longtime friend and collaborator John Black (of CypherAudio) was approached by Stash Magazine editor and STYLE FRAMES executive producer Stephen Price to create a musical framework for the show's opening titles. John recommended Tendril as a great partner to create a visual, and soon after we were meeting with Stephen to discuss.

    After some initial brainstorming at the studio, our Creative Director Chris Bahry reached out to the ultra talented filmmaker, designer and musician Anthony Scott Burns. Anthony had left commercial work to pursue feature film, and to us this project and client seemed like the perfect chance for an overdue collaboration. Together we came up with the self-referential story of a person creating a pitch, and the nightmarish encounters he has with himself and five ‘Gods’ that represent aspects of his creative psyche - the 'Gods' represent flesh/blood; technology/power; rest/play; form/function; love/passion.

    We figured that anyone who has engaged in a pitch or any kind of creative process under pressure will identify with aspects of the ‘Ritual’ that plays out over the course of the sequence. With pitches, we put the best of ourselves out there to be the ones selected for a project and it's a painful and exhilarating experience. It's the nerd/artist's equivalent of extreme sports. It’s not meant to be a message that pitching is bad at all; but when we really got into it, things quickly became visceral and dark. We wanted to be true to the subject and this is what came out.

    It was ambitious and there was certainly interplay between life and art during the piece’s inception. We wanted it to be an epic live-action and CG combo; plus the timeline was incredibly tight with just over a month for a 3-minute short with over 95 shots and no money. To that end, we drew on every resource at our disposal, including our partners for make-up and costumes, friends and family as actors, running around town with our own kit and gear, and the amazing team of designers and artists at the studio for execution. We came up with a lot of smart and cheap solutions for getting all the shots we wanted and are excited to share it all soon in some behind the scenes materials.

    After we had our footage, we enlisted Chris Murphy of Relish for editing and John got to work giving the score a deep, cinematic feel, building up slowly to the reveal of the Gods. The sound design opens with more traditional musical elements for the first two movements and then introduces a more contemporary feel in the middle that continues into the finale.

    All in all, it was a dream team collaboration that resulted in a work that we we hope depicts the essence of the pitch process in 3 minutes.

    Look out for lots of making-of and process soon!

    # vimeo.com/58856811 Uploaded 159K Plays 96 Comments

01

7erence

Browse This Channel

Shout Box

Heads up: the shoutbox will be retiring soon. It’s tired of working, and can’t wait to relax. You can still send a message to the channel owner, though!

Channels are a simple, beautiful way to showcase and watch videos. Browse more Channels.