BEST VIEWED IN HD AND FULLSCREEN (with scaling off)
Midnight Sun: A natural phenomenon occurring in the summer months north of the Arctic Circle and south of the Antarctic Circle where the sun never fully sets and remains visible 24 hours a day.
Shot entirely in Ultra HD 4K resolution, this short time lapse film was shot during the Icelandic Midnight Sun in June of 2011.
For 17 days I traveled solo around the entire island shooting almost 24 hours, sleeping in the car, and eating whenever I had the time. During my days shooting this film I shot 38,000 images, traveled some 2900 miles, and saw some of the most amazing, beautiful, and indescribable landscapes on the planet. Iceland is absolutely one of the most beautiful and unusual places you could ever imagine. Especially during the Midnight Sun when the quality of light hitting the landscape is very unusual, and very spectacular.
Iceland is a landscape photographers paradise and playground, and should be number 1 on every photographers must visit list. Iceland during the Midnight Sun is in sort of a permanent state of sunset. The sun never full sets and travels horizontally across the horizon throughout the night, as can be seen in the opening shot and at the :51 second mark in the video.
During the Arctic summer, sunset was at midnight and sunrise was at 3am. The Arctic summer sun provided 24 hours a day of light, with as much as 6 hours daily of "Golden light". Once the sun had set it wouldn't even get dark enough for the stars to come out, and they don't start to reappear until August.
My advice to everyone out there, photographer or not, is simple... You MUST visit Iceland sometime during your lifetime. You will never regret it.
Interview with Michael Levy Studio about the film:
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Motion Control System:
The motion controlled shots in this film were shot using the Stage Zero dolly system made by Dynamic Perception (dynamicperception.com/)
Cameras and Lenses:
2 Canon 5DII DSLR cameras
1 Canon 7D
Various Canon lenses
Special Thanks to:
REYKJAVIK RENT A CAR (reykjavikrentacar.is/)
Dynamic Perception (dynamicperception.com/)
Kessler Crane (kesslercrane.com/)
Michael Levy Studio (international-photographer.com) for his Icelandic eROADBOOK
lights on is an audio visual performance created for the Ars Electronica museum in Linz, Austria, which has a facade that contains 1085 LED controllable windows. The windows' colors are changed in realtime with music that's broadcasted on speakers surrounding the building.
visuals coded in openframeworks by zachary lieberman, joel gethin lewis and damian stewart (yesyesno). music by daito manabe, with support from Taeji Sawai and Kyoko Koyama. we made this in three days :)
the performance is approximately 10 minutes long. this is an edit. also, we've recorded the output from the software (audio / OSC) and this performance can be replayed in the future for events, etc.
special thanks to the awesome ars electronica / futurelab crew, (maria, wolfgang, andreas, ramsay, horst, gerfried, maff, christopher and everyone else), also iris mayer, carolina vallejo, and rhizomatiks for helping make this possible. also a huge thanks to the excellent technicians Multivision who installed this system: is.gd/BnCy. some info about the install here: is.gd/BkP2
A branded short film for The Generic Man by Industry Films and Citizen Jones.
Written and directed by Jonathan Bensimon and produced by Jonas Bell Pasht, Tokyo/Glow follows the nighttime journey of an illuminated man from a crosswalk sign as he embarks on an adventure through the streets of Tokyo. Shot on location throughout Tokyo using thousands of individual digital stills, the short film features original music by indie rock band Kidstreet, who recently signed with Nettwerk Records and will be releasing their debut album worldwide in 2010.
To achieve the striking effect of the illuminated man, an original light suit was constructed using hundreds of feet of high-voltage LED rope lights and a translucent nylon outer shell. Michael Lambermont, executive producer at Alter Ego in Toronto, oversaw the effects-heavy post-production process, which included weeks of extensive rotoscoping and compositing in the facility's two Flame suites, plus a final colour grade, once the effects were complete. Geoff Ashenhurst, editor at Stealing Time, was charged with bringing the thousands of digital stills to life with director Bensimon.
I recently spent a little over a month hotel hopping in Manhattan (March 12th to April 29th) shooting time lapse. These clips were pulled from over an hours worth of footage.
Prints available for purchase here: redbubble.com/people/mindrelic
-Midtown East Hotels
Doubletree by Hilton Metropolitan (facebook.com/dtmetropolitan)
The Lexington NYC (facebook.com/TheLexingtonNYC)
-Times Square Hotels
Doubletree Guest Suites Times Square (facebook.com/DTTimesSquare)
Paramount Hotel (facebook.com/nycparamount)
Hampton Inn Times Square North (facebook.com/HITimesSquare)
Hilton Garden Inn Times Square (facebook.com/HGITimesSquare)
The Row (facebook.com/RowNYC)
-Midtown West/Upper West Side
Park Central (facebook.com/parkcentralny)
NYLO NYC (facebook.com/NYLONewYorkCity)
Hilton New York Fashion District (facebook.com/hiltonnewyorkfashiondistrict)
Hilton Garden Inn 35th Street (facebook.com/HGINewYork)
Canada, Vancouver April 6, 2011
at Jack Poole Plaza
Outdoor - Video - Installation by Philipp Geist 2011
Berlin-based artist Philipp Geist will be developing his video installation Time Drifts for Vancouver 125 Birthday Live at Jack Poole Plaza. In Time Drifts Geist interprets the themes of space and time. He avoids using canvases and projects directly on parts of the façade surrounding the plaza, on the ground, on windows, and on fog streaming into the plaza. Words are projected onto the ground, and they are reflected into the fog. Fog is, similar to time, always in a flux, you cannot hold or keep it. The dissolving projection symbolizes the fragmentary knowledge and understanding of life in the past and present, but knowledge is also secured and preserved in the form of text, clearly visible on the concrete. The representations of history are being animated in the moment of the visitors reflections. The dissolving projection symbolizes not only the fragmentary knowledge and understanding of the life in the past, which is to be completed, but also the memory which must be saved from disappearing and dissolving. Thus, Geist develops a dialogue with the location, his artistic work and the people who are entering and leaving the plaza. The visitor himself becomes part of the projected image.
For the Vancouver installation, 30 new words will be added to the already 100 words contained in the piece. The 30 new words for the Vancouver edition of Time Drifts will be in English, Chinese, Vietnamese, Punjabi, Spanish, and in the traditional languages of the Musqueam, Squamish and Tsleil-Waututh Nations. These words have been selected by Brad Cran, Vancouver's Poet Laureate, and by the Musqueam, Squamish and Tsleil-Waututh Nations. The existing words in the piece are in French, English and German, the artist's native tongue.
Watch a video of the "Time Drifts" Video Mapping & Light Installation by Philipp Geist at MUTEK FESTIVAL 2010 in Montreal:
Philipp Geist works internationally as a light and multi-media artist in the mediums of video, performance, photography and painting. The Berlin artist Philipp Geist (1976) showed a 4D mapping installation on the facade of the royal throne in Bangkok on the occasion of king Bhumibol's 82nd birthday in December 2009. The one-hour-show was the central part of the celebrations and was seen by 2-3 million of visitors. In 2008, during the 'Long Night of the Museums', he showed his video installation 'time fades' at the Kulturforum. In this installation Geist interprets the themes of space and time. He avoids using canvasses and projects directly on parts of the façade of the architecture and on transparent grounds like sheets of gauze and fog.In September 2007, he realized the video installation 'Time Lines' on the entire front of the Palazzo delle Espozioni in Rome at its re-opening after it had been closed for five years. The installation was opened by the mayor of Rome, Walter Veltroni, and was seen by approx. 20.000 visitors. In 2005, he realized the large project 'Winterzauber' ('Winter Magic') for the Lake Side Restaurant in Zurich and in 2006, he opened the Salon Noir within the context of the exhibition 'Melancholie, Genie und Wahnsinn' ('Melancholy, Genius and Insanity') in the Berlin Neuen National Galerie. Together with the symphony orchestra OBC Barcelona and the Finnish sound ensemble Pan Sonic, Geist opened in 2004 the Sonar Festival in Barcelona. His works were shown at the Dissonanze Festival in Rome, at Clubtransmediale in Berlin and at the Mutek Festival in Montreal which is renowned for new media. He has exhibited his live video performances internationally at the Central House of Artists (CHA) in Moscow, the Institute of Contemporary Art (ICA) in London, the National Gallery in Warsaw (Zacheta) and at the opening of the Pinakothek der Moderne in Munich.Further projects are characterized by their complexity and the integration of the location, the sound and moving images.
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