1. Colorist Chris Hall takes an overcast day exterior shot on Arri Alexa and demonstrates how to add contrast, depth, and color to an otherwise flat image.

    # vimeo.com/84181480 Uploaded 1,872 Plays 0 Comments
  2. Colorist Chris Hall looks at two shots from the feature film "The Scribbler" and discusses how and why it can be important to maintain the color consistency of a film from start to finish.

    # vimeo.com/95464550 Uploaded 2,874 Plays 10 Comments
  3. Prehistoric Digital Colorist Chris Hall takes a look at the infamous "cyan/orange" look and how it can be applied tastefully in the color suite. Special thanks to Metis Creative for the footage on this project, you can check out the completed piece at Metis' Vimeo Page vimeo.com/58131797.

    # vimeo.com/65097929 Uploaded 8,507 Plays 6 Comments
  4. Colorist Chris Hall demonstrates a "Bleach Bypass" effect on a period Western film. Special thanks to DP Andrew Russo (awrusso.com/) for the great photography!

    # vimeo.com/47062127 Uploaded 5,141 Plays 5 Comments
  5. Colorist Chris Hall takes a mismatched "pickup" shot and uses some "digital relighting" to "repaint" an actors face to match the original lighting of the scene. *Note - this is a very dark scene, so be sure your viewing monitor isn't "crunching" your blacks so that you can best see some of the fine detail in the shadows of this grade (ie dark hair, etc).

    # vimeo.com/27359391 Uploaded 4,112 Plays 4 Comments

Anatomy of a Grade

Chris Hall Plus

Basher Films Colorist Chris Hall breaks down some basic color corrections from past projects to illuminate the different stages of "the color grade" and demonstrate the creative and aesthetic possibilities in the color correction process for film and video.

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