Quimera Rosa

[sEXUS 3] Part I : Zhora (aka The Violonist) Performance
by Quimera Rosa
duration 45' +/-

All sound of the performance is live generated

In our performances, you can see a hybridization body / machine / environment, hybridization obtained with the incorporation of electronic devices connected to the body by BDSM techniques and the use of the electrochemical properties of certain elements (water, quinine, salt ...).

Description (ES-EN-FR)

[sEXUS 3] Part I : Zhora (aka La Violinista)

Haciendo un guiño a La Pianista de Elfriede Jelinek, esta performance revisita el universo de Blade Runner, versión post-porno. Aquí las replicantes se han alejado definitivamente de la humanidad… Mezclando escenas de surrealismo cyberpunk con prácticas sexuales no convencionales, las performers transforman sus cuerpos en instrumentos sexo-sonoros mediante prótesis electrónicas conectadas a la carne con técnicas BDSM. Todo el sonido de esta pieza está generado en directo por el contacto entre los cuerpos. Quimera Rosa condensa aquí sus seis años de experimentos electro-químicos en una mezcla explosiva de body noise en directo, sexo gender hacking, cuerpos mutantes, código y prótesis ¿Os someteréis a su test de empatía?

[sEXUS 3] Part I : Zhora (aka the Violonist)

With a nod to The piano teacher by Elfriede Jelinek, this performance revises the universe of Blade Runner in a post porn version: here, the replicants have left humanity for good… mixing scenes of cyberpunk surrealism with non-conventional sexual practices, the sEXUS 3 transform their bodies into sexo-sounding instruments through electronic prosthesis connected the flesh with BDSM techniques. The sound of this piece is generated live by the contact of the bodies. Quimera Rosa condensates in this performance its six years of electro chemical experiments. Will you subject to its empathy test?

[sEXUS 3] Part I : Zhora (aka la Violoniste)

Partant d'un clin d’œil à La pianiste d'Elfriede Jelinek, cette performance revisite l'univers de Blade Runner, version post-porn. Ici, les réplicantEs ont pour de bon laissé tomber l'humanité… Dans des scènes mélangeant surréalisme cyberpunk et pratiques sexuelles non-conventionnelles, les sEXUS 3 transforment leurs corps en instruments sexo-sonores par le biais de prothèses électroniques connectées à leur chair par des techniques BDSM. Le son de cette pièce est généré en direct par le contact entre les corps. Quimera Rosa condense dans cette performance ses six années d'expérimentations électro-chimiques. Passerez-vous leur test d'empathie ?

http://quimerarosa.net/sexus-3-aka-the-violonist-en/

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Quimera Rosa

Quimera Rosa

Laboratorio de experimentos electrico-químicos.
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WEB: http://quimerarosa.net/
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Quimera Rosa [Pink Chimera] is a lab that researchs and experiments on body, technology…


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Laboratorio de experimentos electrico-químicos.
--------------------------------------------
WEB: http://quimerarosa.net/
--------------------------------------------
Quimera Rosa [Pink Chimera] is a lab that researchs and experiments on body, technology and identities. Our aim is to develop practices able to produce non-natural cyborg identities from a multidisciplinary perspective. We assume Donna Haraway’s notion of cyborg, that defines it as: “chimeras, theorized and fabricated hybrids of machine and organism.”

Aware by postfeminist and postitdentitary discourses, we make bodies a platform for public intervention, breaking up limits between public and private. We understand sexuality as a technological and artistical creation and seek to experiment hybrid, flexible and changing identities able to blur frontriers betweeen natural and artificial, normal and abnormal, woman and man.

We are specially interested in the articulations between art, science and technology, and their function in the production of subjetitivities.
Nuestra obra se basa desde el principio en la performance, volviéndose ésta cada vez más transdiciplinar. En nuestras performances, se puede apreciar una hibridación cuerpo/máquina/entorno, hibridación obtenida mediante la incorporación de dispositivos electrónicos conectados al cuerpo mediante técnicas BDSM y el uso de las propiedades electro­ químicas de ciertos elementos (agua, quinina, sal…). Para esto, nuestro trabajo incluye largos periodos de investigación/experimentación, en general durante residencias. Este último año
combinamos nuestra actividad de performers con una intensa actividad de dispensar talleres sobre nuestro [BodyNoise Amp].

For all these reasons, the most of our work is developed in a collaborative way under free culture paradigm.

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